The man is a genius. 4:40 into this live "Jungleland" from 1975, Bruce is able to close his eyes and conduct his E Street Band (Orchestra) into one of the best instrumental bridges written in any rock song...ever. The bridge in music is my favorite part; it does exactly what it sounds like. You travel and then you get to a bridge. James Brown said it best in "Sex Machine" numerous times, by belting "take me to the bridge, take me to the bridge!" This is when a song really opens up and brings you into a new place, and then right back to solid land. "Jungleland's" bridge sounds a bit like Pink Floyd, and that is a huge compliment. It's mellow, chopped down into a slower time signature, and simply allows "The Big Man," Clarence Clemons to show off his tenor sax chops and drive you safely across the bridge. Thanks to Dan Noschese (shout out to your 30th birthday party last night, tasty Budweisers all around) for sending this over.
Sit back and enjoy The Boss.
Cheers.
"The best music is essentially there to provide you something to face the world with." -Bruce Springsteen
Sunday, February 28, 2010
Saturday, February 27, 2010
R.I.P. Teddy Pendergrass: "Love T.K.O."
Does it get much better than this? Smooth is the only word that comes to mind. We unfortunately lost Teddy last month...here's his best jam in my mind. Cheers.
Thursday, February 25, 2010
Glen Hansard: "Say It To Me Now"

Speaking of the soundtrack, the movie opens with Glen standing in the middle of an empty street in Dublin, very late at night. It's just him, his guitar (with multiple holes in it) and his voice. No mic, no amp, no listeners, no anything; the true epitome of what a true music lover plays music for...the music, not the fans. Due to copyright restrictions, I can't play the movie version here, but below is a live version of "Say It To Me Now," the opening tune from "Once." This was recorded at a screening of the movie up in Canada. If you don't get chills 1:10 into this video, well, then you should go to the doctor. I remember seeing this opening performance on the movie and forgetting to breath for about 2 1/2 minutes; totally in shock and awe at the level of emotion one man can emit by simply standing up with a beaten guitar and just his voice. I'm convinced that this movie is called "Once" because we've all been looking to relate, react, feel a certain way by watching and listening to music. Just this "Once" we're truly shown why we've been looking to feel this way. Glen shows it all; heart on his sleeve, and eyes closed. And, you can't just watch it "Once." I've seen the movie at least 6 times.
Cheers.
Wednesday, February 24, 2010
Rocky Votolato: "Red River"

Cheers.
Saturday, February 20, 2010
Not Sure What To Say Here....Just Watch
So I bet a bunch, if not all of you, are waiting for me to write some introspective piece about the human voice and how it's all we really need to make a song into a piece of legitimate art. How the art of simply vocalizing is far more powerful than singing actual lyrics; how our voice is the true form of our contemplative self or something. Challenge. Nothing could be further from the truth in 99% of cases. Unless you're Bobby McFerrin, please, STOP "scatting"...especially if you're a creepy Russian in a late 70s/ early 80's American Bandstand/ Soul Train looking performance filmed in the heart of Communist Russia. All this dude does is say "la la" and "ya ya" awkwardly while popping in and out of the camera shot. This was disturbing and actually made me debate changing my entire perspective on music. Then again, this guy's perspective on music is to sound as close as possible to a russian Tickle Me Elmo doll after drinking too many Red Bulls while getting Botox, so I think I'm alright. Look at those cheeks. It's like Joan Rivers' twin. Hold your loved one(s) after this.
Cheers.
Cheers.
Friday, February 19, 2010
Erik Hassle : "Hurtful"

Sweden is back. Here's Erik Hassle w/ "Hurtful." Talk to me about vocal range! Wow. Ironically enough, as the US music scene is way behind Europe, this song has already been at the top of the charts in Sweden for the past year. Wake up America. Damn.
Cheers.
Thursday, February 18, 2010
David Sides : "Halo" (Beyonce)
This guy has like 100 videos on YouTube, covering everything from Coldplay to Kanye...interpretation at it's finest. Reminds me of Stevie Ray Vaughan's version of Jimi Hendrix' "Little Wing." No need to sing when the instrument does it for you.
Cheers.
Tuesday, February 16, 2010
Ray Lamontagne: "Crazy" (Gnarls Barkley)

He then released "Trouble," his debut record, which was on rotation at 114 Grandview Ave for some time and I believe still is. The man is a genius. Listen to the rasp and smokey tone of this voice, covering Gnarls Barkley's "Crazy," the #1 song in 2006 at the BET Awards. THE BET AWARDS! Gotta love the interpretation. Who would have thought New Hampshire was so Urban.
Cheers,
Monday, February 15, 2010
Tyler Hilton : "Use Somebody" cover (Kings of Leon)
Piano is the most pure sounding, spine chilling, hair-stand-up-on-arm elements of music, outside that of our natural voice of course. However, the two are basically identical if you look closely. If you open up the top of a piano you'll see strings and these felt looking "hammer" things that are triggered whenever you hit a black or white key. That's really all it is. The strings are like our vocal chords and the felt triggers the note we're singing.
Put these two together and you can make any pop song sound like a true ballad. Tyler Hilton shows this perfectly with his mellow cover of "Use Somebody" by Kings of Leon. Musicians out there take note...stop using so many effects on your instruments and just play the damn thing. There's a reason why the instrument was born before the effect pedal and the delay moduler. Chicken or egg?
Cheers.
Put these two together and you can make any pop song sound like a true ballad. Tyler Hilton shows this perfectly with his mellow cover of "Use Somebody" by Kings of Leon. Musicians out there take note...stop using so many effects on your instruments and just play the damn thing. There's a reason why the instrument was born before the effect pedal and the delay moduler. Chicken or egg?
Cheers.
Sunday, February 14, 2010
Leinenkugel's Sunset Wheat

Now these things are tasty. Not going too in depth on this one since my head hurts a bit, but check it out. When it's 14 degrees outside, you've been playing Golden Tee since 2pm, you just finished candlepin bowling with good friends and you're looking for a tasty treat to sip on, well here you go. Leinenkugel's Sunset Wheat. Lighter than Blue Moon and more refreshing than Hoegaarden, Leinenkugel is the way to go. Spring was in the air last night my friends, and after a few of these so was TLC Waterfalls at Farragut House karaoke. Drink Sunset Wheat beer and you sound amazing at Karaoke. Trust me.
Cheers.
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